• Kim Dijkstra

    About my work

    In my work, I highlight the value of the overlooked.

    For my latest work, Still Lifes//Moving stories, I had conversations with drug users and homeless people. I listened to their stories and photographed cherished objects they carry with them. These objects are presented in a way that highlights a side of them that usually remains hidden.

    For my ongoing series Vanitas, I make vanitas portraits of found or recycled objects. Vanitas still lifes have always juxtaposed life and death to remind us of the unescapable cycles of nature. In a society based on over-consumption, I try to reveal the intrinsic quality in the things we seem to value the least. How well do we really know the things we carelessly throw away? Are they not worth animating? In order to be able to recycle and re-use them, must we not bring them to life first, and form a bond with them?

    In my short movie The Find, the protagonist discovers his own relation to perceived value. And in my performance Island of the Gods, I revealed an apparently insignificant rock as the mountaintop of Fengari.

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Kim Dijkstra


About my Work
Exhibitions
Contact
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Projects

Vanitas Still Lifes Still Lifes//
Moving Stories

All the luck in the world All the Luck
In the World

Vanitas Still Lifes Vanitas
Still Lifes

Film The Find The Find
Short Movie

Island of the Gods Island of the Gods
Of Travellers and Thieves

Unchanged land<br>Exploring the Horizon of a Tangible Myth Unchanged Land
Exploring the Horizon of a Tangible Myth